DM2000VCM Digital Production Console

A tecnologia VCM oferece novos efeitos incluindo compressores clássicos, equalizadores, Tape Deck analógicos e Stopmbox efects.

Tecnologia iSSP que lhe oferece um poderoso efeito sonoro espacial, ideal para pós produções de DVD. REV-X lhe oferece um efeito de reverberação com profundidade e principalmente uma densidade incomparável.

24 entradas de microfone todas elas com phantom power independentes. Possibilidade de ser expansível para 96 canais usando as placas Mini-YGDAI.

Processamento interno de 24 bits e 96 khz.

Funciona como superfície de controle dos softwares mais aclamados do mercado (Cubase SX, Nuendo e Pro Tools).

A seção de monitor 02R96 oferece facilidades para busses individuais (alto-falantes), controle de nível centralizado de todas as saídas de monitor, monitoramento de canais estéreo, e em tempo real comparação entre os sinais codificados e pré-codificados Dolby Surround ou DTS.

A cascade connector allows two DM2000 consoles to be connected to provide up to 192 input channels. Versatile MIDI control capability is provided via MIDI IN, OUT, and THRU connectors and an independent MTC input connector. USB and RS422 "TO HOST" connectors, an XLR type SMPTE time code input, a 9-pin D-sub remote connector that supports P2 commands or remote HA control, and a 25-pin D-sub control connector give the DM2000 extensive control capability in any type of application. There's also a PS/2 keyboard connector for convenient name entry. Two sets of word clock I/O connectors support double-channel 96 kHz operation.

Surround panning was originally provided on the 02R and 03D, but the DM2000 goes much further with a comprehensive range of features for surround production. The Matrix Mixing and Bus to Stereo functions make it easy to downmix 5.1 or 3-1 surround sources to stereo, and the 3-1 output can be connected via Dolby Surround or DTS stereo encoders back to a DM2000 slot input to allow real-time comparison between the encoded and pre-encoded sound. A panning joystick is provided in the Selected Channel control section to facilitate complex panning moves and trace specified panning patterns. Surround panning features 127 x 127 resolution, and divergence control is possible in 0 ~ 100 steps. Surround-compatible effects in up to 8-in/8-out configurations include 5.1 reverb, modulation, and dynamics.* EQ and dynamics grouping is another feature that can be a great advantage for surround production.* Each surround processor may occupy up to four of the onboard effect processors.

The DM2000 monitor section provides facilities for muting individual buses (speakers), centralized level control of all monitor outputs, stem mix monitoring, and real-time comparison between the encoded and pre-encoded Dolby Surround or DTS stereo sound. Downmix processing allows just about any surround format to be downmixed to just about any other surround format or stereo for monitoring without affecting the signal sent to the recorder. A Speaker Control function allows fine control of the monitoring environment to match the program material you are mixing as well as your working environment. The DM2000 also includes bass management, attenuators for precise speaker level control, and delay for "virtual speaker repositioning".

In addition to its extensive stand-alone capabilities the DM2000 can integrate with your computer-based DAW (Digital Audio Workstation) or digital recorder to create an advanced digital production environment. A comprehensive range of dedicated controllers is provided for direct control of external equipment. The DM2000 can function as a physical controller for both recorder and mixer sections of your DAW. The standard library includes control compatibility with Digidesign Pro Tools® and Steinberg NUENDO® workstations, control functions can be assigned to remote layers 1 through 4. MIDI control tables can also be created to provide functionality with MIDI-compatible DAW systems. Dedicated recorder controls are provided on the DM2000 panel: the track arming section with keys for 24 tracks, group keys A through D, and master recorder key all provide convenient remote control of your MTR or master recorder. A locator section is also provided, with eight locate memory keys as well as pre, post, in, out, return to zero, and roll back keys for speedy, efficient operation. The DM2000's physical controls are compatible with DAW systems and recorders that support MMC or P2 protocol.

The DM2000 features automix capability with 1/4-frame resolution, allowing full automation of parameters right down to the internal effects. Automix functions can be controlled via dedicated keys for easy access. Scene memories allow fade times and recall safe settings to be specified independently for each channel, while recall safe can even be specified at the function level. Your data can be conveniently saved to SmartMedia memory cards.

In addition to "horizontal pairing" of adjacent channels, the DM2000 allows "vertical pairing" of channels on different layers so that, for example, you can control up to 24 stereo sources from a single layer. In such setups the 24 stereo signals can even be displayed simultaneously on the meter bridge. Grouping functions include the familiar fader and mute grouping, as well as sophisticated EQ and dynamics grouping. The latter can be a great advantage when mixing surround sound.

24 faders provide access to the console's 96 input channels in four layers. Add the stereo master and you have a total of 25 top-quality 100-millimeter touch-sensitive motor faders. The bus, auxiliary, and master faders are provided in another layer, and four "remote" layers are provided for external device control. A Fader Mode key additionally allows the auxiliary send levels to be assigned to the faders. The rotary encoder and switch associated with each fader can be switched to any of six modes via the Encoder Mode key. The encoders can be used for panning or auxiliary/matrix send, as well any other four functions you assign. You could assign input patching, direct out assignments, or remote assignments for external HA units such as the Yamaha AD8HR to the encoders to allow fast, efficient setup in your specific work environment.

The DM2000 comes supplied with an advanced DM2000 Editor that runs on the Studio Manager application for Windows or Macintosh computers. The DM2000 connects to your computer via the TO HOST interface (USB or RS422), creating a production environment that goes beyond simple parameter viewers. The Console Window, Selected Channel Module, Surround Editor, Patch Editor, Effect Editor, Timecode Counter Window, GEQ Editor, and Library Window can be accessed via the computer's expansive color display, and the main mixer functions can be edited offline. Memory management functions allow DM2000 data to be transferred to and from the computer where it can be managed and even shared via LAN or the Internet.

DM2000 Version 2 implements a range of additions and refinements that reflect the needs of professionals in the field, providing an improved working environment as well as more sophisticated management capabilities.

The DM2000 V2 provides full support for all five of Yamaha's Add-on Effects packages (each package is sold separately). The advanced effects and signal-processing capabilities provided by these packages are easily accessible in addition to the standard built-in effects.

The Studio Manager application has undergone a major evolution, and is now a host application that can support multiple editors (such as the DM2000 Editor) within its framework. This offers many advantages including total project recall and smoother online and offline editing with multiple DM2000 units. A variety of other enhancements include Add-on Effect support, multiple windows, and improved overall operability through shortcuts, keyboard operations, drag and drop, and using the console's User Defined Keys to remotely open and close windows. The Console Window now provides a quick online/offline switch, the ability to show or hide the parameter block, user assignable layers, long stroke meters, quick jump to the Selected Channel window by double-clicking the EQ section, and numerical fader level indication. A new Master Fader window and Meter window have been added for easier master level monitoring as well as simultaneous meter display for 48 channels plus gain reduction metering. There's also a new Automix Library window that makes it much easier to use Automix. The Selected Channel window now shows gate type and long-stroke channel meters. The Patch Editor window can be resized, provides PM1D-like cursor shape and operation, and makes it possible to list and edit the port names. In the Library window you can operate multiple scenes and libraries simultaneously, recall them directly from hard disk, and link scene memories with patch libraries. As with the DM2000 itself, the Surround Editor window now supports 6.1 channels. You can also use the joystick in the Effect Editor window to control the ER/REV position of the REV 5.1 effect.

The new DM2000VCM is the DM2000 Version 2 plus a formidable array of state-of-the-art processing technologies that provide all-new production power. You now have extraordinary recreations of classic compression and EQ units from the 70's, simulations of several legendary analog open-reel tape decks, a complete suite of unmatched REV-X reverb effects, a surround post-production package that is second to none, and even a selection of vintage stomp boxes to spice up your mixes. And all of this is right at your fingertips, with no need to patch in external processors.The technology that has made all of this possible is some of the most advanced in the world, and the sound is simply superb.In short, one of the world's most popular digital production consoles just got a lot more powerful.

VCM technology is responsible for the classic compressor, EQ, analog tape deck, and stompbox effect simulations in the DM2000VCM.VCM (Virtual Circuitry Modeling) technology actually models the characteristics of analog circuitry - right down to the last resistor and capacitor. VCM technology goes well beyond simply analyzing and modeling electronic components and emulating the sound of old equipment. It's capable of capturing subtleties that simple digital simulations cannot even approach, while actually creating ideal examples of sought-after vintage gear.

iSSP technology is the key to the DM2000VCM's incredible selection of surround post-production effects.iSSP stands for "Interactive Spatial Sound Processing," and is Yamaha's original new spatial sound effect system. Designed through extensive research and exhaustive testing, this technology offers unparalleled reality, operability and originality for surround processing applications. It delivers unprecedented sound-field positioning precision and versatility, as well as realistic sound source movement effects with simple operation that allows simulations of an almost unlimited variety of spatial environments.

"REV-X" is the advanced algorithm behind Yamaha's newest generation of reverb and ambience programs, offering unprecedented reverberation depth and realism with smooth decay. REV-X technology takes full advantage of the 24-bit 96-kHz processing capability of the DM2000 for reverb and ambience effects that have the reassuring warmth and reality of natural acoustic environments.